Archie
Comics: The New Face of Horror
What’s
that I said, Archie Comics, the venerable home of clean cut kids and an all
American atmosphere is the new face of horror? How can that be? If you only have a passing familiarity with
the comics, or haven’t read them in decades, then this may come as shock to
you. But if you’ve been following the evolution and expansion of Archie comics
over the past 10 years or so, then you know what I say is true.
EC
Comics, with books like Tales from the Crypt and The Vault of Horror ruled the
1950s. Warren Publishing ruled the 1960s and early 70s with Creepy, Eerie and
Vampirella. Marvel Comics took the torch in the 70s with Tomb of Dracula,
Werewolf by Night and characters like Satana, Hellstorm, Brother Voodoo and the
Man-Thing. D.C. comics took over in the 80s with Alan Moore’s run on the Swamp
Thing (maybe the single most important run of a horror comic after the original
EC lines). This created an audience for, and paved the way for books like
Hellblazer and Sandman. I think it’s fair to say that D.C.’s Vertigo line ruled
horror comics through the 90s and the first decade of the 21st
Century with the continued popularity of John Constantine and books like
Preacher and revamps of venerable books like Unknown Soldier, House of Mystery
and House of Secrets. But Vertigo comics is kaput. They’re moving on. As of
2020 they are closing up shop. It’s time for some new blood. Or rather a fresh
take on some old blood.
Under
their imprint brand, Red Circle, during the 1970’s , when such comics were at
their most popular, they published a horror anthology series Chilling
Adventures in Sorcery (the Sabrina series takes its name from that). Like Tales
from the Crypt or House of Mystery, it published short tales of the macabre and
they have a similar flavor.
But
Archie Comics jumping into horror with both feet didn’t begin until a few years
ago with a critically acclaimed title, Afterlife with Archie.
Afterlife
with Archie
The
Archie Horror comics are best viewed as a What If? line of stories (or
Elseworlds if you are a DC fan I guess). They are reimaginings of the classic
characters in a horror setting. They don’t share a universe, with the same
characters being reimagined in different ways in different books. Afterlife
with Archie begins with Jugghead frantically seeking help from Sabrina. His
beloved pet, Hot Dog, has been hit by a car and he begs Sabrina to use her
magic to bring it back to life. Her aunts forbid it but Sabrina, being a willful
teenager, does it anyway. Her aunts find out and banish her to Limbo for a
year, but the damage has been done.
Hot Dog
returns to life, but feral and undead. He bites his master Jugghead, turning
him into a zombie. Jugghead spreads the contagion and soon Riverdale, and then
the world, is over run with zombies. Archie leads the survivors out of
Riverdale. The first few issues are standard zombie apocalypse fair (great,
right? Just what we need, another Walking Dead). But with issue 6 the series
takes a very rewarding hard turn.
We find
out that Sabrina has been plucked from limbo by H.P. Lovecraft who is using her
and other gifted children as a means of opening up a gate to allow the Old Ones
to return. The entire Hot Dog infected zombie horde is just their tool. Issue 8
features homage to The Shining with Archie drinking alone in a hotel being
served by the ghost of Jugghead as the bartender. Issue 10 features the
introduction of Josie and the Pussycats in a homage to Interview with the
Vampire.
Written
by Roberto Aguirre-Sacasa it was clever and reminiscent of Alan Moore’s run on
the Swamp Thing. The art by Francesco Francavilla was beautiful and moody. Each
issue had various variant and reprint covers. Some of my favorites were by
artist Andrew Pepoy who took the traditional Archie art style and filtered it
through a sexy, horror lens. The series was really creepy and enthralling , especially
after issue 5. There is really only one complaint and that’s the series ended
with no real conclusion or cancellation. Issue 10 came out with a teaser for
issue 11 and…nothing. I still can’t figure out why a series that was popular
and well received by the critics would just fizzle out. It reminded me of Guns
n’ Roses in the 90s. They were the biggest band on earth knocking out #1 records left and right and
fans waited for another album…and waited…and waited. My only hope is that the
increased popularity of the Archie brand will encourage them to finish this
series.
The
Chilling Adventures of Sabrina
Every comic line,
even a line of horror comics, needs a flagship character, a brand that will attract
new fans. For Warren it was Vampirella. For the Marvel horror comics of the 70’s
it was Tomb of Dracula. For Vertigo of the 90s it was John Constantine. For
Archie horror it is Sabrina. And like Constantine, whose humble origin was as a
backup character in Swamp Thing, Sabrina (in her current incarnation) began in
Afterlife with Archie. Other than her brief appearance in issue #1 and another
brief appearance in issue #9, Sabrina is absent from most of the story with the
exception of issue #6. That issue is all about her.
After
being plucked from Limbo she is trapped in an asylum. Given drugs that suppress
her magic and fog her memory, she tries to piece together what has happened to
her and what is happening. Over the course of the issue she discovers a
conspiracy to bring the Old Ones to Earth. The story’s climax is a parody of a wedding
where she is to be married to Great Cthulhu. She is tied up, like Andromeda awaiting
the sea monster, on a cliff overlooking the ocean as the great Old One rises
out of the sea!
My
single favorite issue is the origin of Sabrina’s cat, Salem, who we find out
was turned into a familiar in 1692 after pissing off a coven of witches. It is
one of the most disturbing single issues of any comic that I have ever read and
truly deserving of being called “horror”.
Jugghead:
the Hunger
This series features
Archie’s closest friend ,Jugghead Jones, as the victim of a generations long
curse of lycanthropy. The Joneses have always been werewolves. To make matters
worse, he is being hunted by Betty, whose family are werewolf hunters. Archie
gets caught in the middle, having to join his girlfriend in trying to kill his
buddy. It doesn’t have the gothic, creepy feel of Afterlife or Chilling
Adventures but it is very gory, right from the start. My favorite part is a POV
transformation where we see a victim through Jugghead’s eyes as he becomes a
werewolf.
Blossoms
666
Siblings
Cheryl and Jason Blossom are a pair of rich teens with a dark secret. One of
them is the Anti-Christ! This comic also had its origins in Afterlife with
Archie where they likewise harbored a dark secret (though due to the series’
dissolution it was never really explored).
Imagine
if Damien from the Omen was raised by Satanists instead of normal people and
now mix that with a little 90210 and you have a good idea of what the series is
about. Like every other comic in the line, it has top notch art.
Vamperonica
This book
is a guilty pleasure along the lines of The Lost Boys. Sure, it’s not as gritty
as Near Dark or as classic as Fright Night, but it’s just so cool and fun! It’s
very slickly produced with beautiful stylish art and a witty story. Veronica
Lodge, Riverdale’s elite snob, best friend of Betty and rival for Archie’s
affection is attacked by a vampire. Before she succumbs to the bloodlust she
has to find and kill the vampire that turned her. Meanwhile, the nosferatu is
turning the rest of the town into vampires that she’ll have to fight her way
through. A very compact, succinctly written series, it perfectly lends itself
to a movie adaptation.
The
story continues with Vamperonica New Blood. And of course, all good monsters
deserve a monster mash. She comes into conflict with werewwolf Jugghead in the
series Vamperonica vs. Jugghead the Hunger.
The ongoing
adventures…
The
Netflix series The Chilling Adventures of Sabrina is loosely based on the comic
(it has turned 8 issues into 21 episodes with another season in the
works). I’ll save a review of that for
later as it really deserves its own space. In fact, one could write an entire essay on the phenomenon of Sabrina
Spellman (future project…)Needless to say, it is very good and its star Kiernan
Shipka has done an excellent job of creating a memorable character. It combines
teen angst, dark humor and some utterly sacrilegious (some might say blasphemous)
imagery and themes.
Given
the universalness of the Archie characters, they lend themselves to endless
re-interpretations. So far they haven’t shown any signs of getting stale and
the art is top notch all around. I hope this continues for at least a few more
years so we can enjoy more of these creepy, fun stories. After all, I need to
see more of Josie and her vampire Pussycats!
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