The Hammer Dracula / 007 Connection or To Live and Let Bite

The Hammer Dracula / 007 Connection or To Live and Let Bite

           

     If one were to ask what is Britain’s greatest contribution to cinema, some might say the works of Laurence Olivier, David Lean, or Alfred Hitchcock. However, whoever said that would be wrong. Without a doubt, Britain’s greatest contribution is the James Bond franchise.  Twenty-seven films (so far) is a monumental library eclipsed only by that of Godzilla. Running a close second to James Bond in terms of British contribution, it would have to be Hammer Films (Benny Hill and Monty Python tie for third I guess).

            

     It should be no surprise that the two should have some cross-over in terms of talent, but when it comes to Hammer’s Dracula franchise, there was a considerable amount of cross-over. In fact, every single volume of the Dracula franchise had an actor that also appeared in a Bond film.

            

The Man Himself

            

     The Dracula franchise consists of nine installments, seven of which feature Christopher Lee as Count Dracula, starting with the first installment, Horror of Dracula. Lee was best when he was playing a villain like Count Dooku in the Star Wars movies or Saruman in The Lord of the Rings.  How fitting then, that he should be a Bond villain. The Bond franchise had some great villains, Dr. No, Auric Goldfinger, Ernst Blofeld just to name a few. But these were all mad scientists or greedy billionaires. None of them possessed the virility or charm of 007. None of them, that is, except Christopher Lee.

            

     Lee played Francisco Scaramanga, the main antagonist in the second Roger Moore film, The Man with the Golden Gun. Scarmanga was the perfect foil for James Bond. He was suave, sexy and dangerous. Lee and Moore were of a similar age (only five years difference) and both had tremendous on screen presence. Also, Lee was the step-cousin of James Bond’s creator, Ian Fleming which I guess made him extra perfect for the role.

            

     After Horror of Dracula, the Bond connection wasn’t as strong in the next few films, though it was still present. Victor Brooks who played Hans in Brides of Dracula also played Blacking in Goldfinger. John Maxim who played the coach driver in Dracula Prince of Darkness also appeared in Goldfinger as a gangster. In Dracula Has Risen fromthe Grave, Barry Andrews plays one of the many characters named Paul in the franchise. He also had a small role as a crewman on the HMS Gragner in The Spy Who Loved Me.

Taste the Blood of Dracula

            

     The fifth Dracula installment gave the 007 franchise one of its more recognizable faces.  Geoffrey Keen plays William Hargood, a bored decadent aristocrat who’s quest for stimulation leads to a Satanic ritual that summons Count Dracula. In the Bond franchise he played Minister of Defence Frederick Grey in not one, not two, but six Bond films! ;The Spy Who Loved Me, Moonraker, For Your Eyes Only, Octopussy, A View to a Kill, and The Living Daylights.

            

     It also gave us the first Hammer appearance of one of their more striking starlets. Though Madeline Smith would be best known for The Vampire Lovers, she appeared first as Dolly, a prostitute who gets whisked away by Ralph Bates in Taste the Blood of Dracula.  Madeline appeared in the first Roger Moore Bond film, Live and Let Die as the girl whose dress gets unzipped with Bond’s magnetic watch. Madeline would also appear in another Hammer production; Frankenstein and the Monster from Hell.

On Her Majesty’s Secret Service

            

     The Dracula franchise needs to thank the casting director of this film for its contribution to the talent pool. In this film, Bond finds himself at a special clinic that treats allergies of some of the most beautiful women in the world. Many of the beauties would late appear in the Bond franchise.

            

     Jenny Hanley who played Sarah in Scars of Dracula played the Irish girl. Anouska Hempel who also appeared in Scars of Dracula as Tania played the Australian girl. Joanna Lumley who played Jessica Van Helsing in The Satanic Rites of Dracula played the English girl. Julie Ege, the most statuesque of the Hammer starlets, played the Scandinavian girl. Julie later played Vanessa in the last Hammer Dracula film, The Legend of the Seven Golden Vampires. Julie appeared in another Hammer film, Creatures the World Forgot.

One last, less obvious and much less sexy, contribution was that of voice actor David de Keyser. He was the voice of Dracula in Legend of the Seven Golden Vampires and the voice of Tracey’s father, Marc-Ange Draco in On Her Majesty’s Secret Service. David had two other Hammer voice credits; Vengeance of She and Vampire Circus.

Dracula 1972 A.D.

            

     This film has several ties to the 007 franchise. Christopher Neame who plays Dracula’s henchman, Johnny Alucard, played Fallon in License to Kill. Michael Kitchen, who played Greg, appeared as Bill Tanner in two pf the Pierce Brosnan film; Goldeneye and The World Is Not Enough.

            

     Nothing against the fellows, but no Hammer fan cares about them. The real connection is with Caroline Munro. She played Laura, Dracula’s first victim. She also appeared as Naomi, the henchwoman in The Spy Who Loved Me. On a side note, that is my favorite Bond film and features my favorite Bond Girl (Barbara Bach) and my favorite Bond villain (Jaws). If I had one complaint about that film it’s that Caroline wasn’t in it long enough. Caroline also had an uncredited role as a Guard Girl in the 1967 Casino Royale. In addition to Dracula she appeared in another Hammer vampire film, Captain Kronos: Vampire Hunter.

The Satanic Rites of Dracula

            

     In addition to Jessica Lumley, Satanic Rites has three other bond connections.  Valerie Van Ost plays Jane, one of the Count’s victims and had a small part as a girl at the roulette wheel in the 1967 version of Casino Royale. Richard Vernon played Colonel Mathews in the Dracula movie and Colonel Smithers in Goldfinger (I guess he was type cast as a colonel). Patrick Barr who played Lord Carradine had a small part in Octopussy as a British Ambassador.

With all of these Dracula /Bond connections, there is just one question: How did Peter Cushing never appear in a Bond film?

 

Hunter’s Moon

Hunter’s Moon

2020

Director- Michael Caissie

Cast- Katrina Bowden, Thomas Jane, Jay Mohr, Will Carlson, Spencer Daniels, India Ennenga, Amanda Wyss, Daniel R. Hill, Emmalee Parker, David Labrava, Lexi Atkins, Sean Patrick Flanery

            

     This film gives us a twist on the “home invasion” horror, mixing in a werewolf with the girls in peril motif. That’s not a spoiler, mind you, there is a werewolf on the box cover. The film starts with a murderer/ rapist (The Boondock Saints’ Sean Patrick Flanery) killing a girl in his home after giving her a roofy. While disposing of her body he meets his end at the hands (claws?) of a creature more predatory than him.

            

     Fast forward a few months and the Delany family are moving into the house. The parents are aware of the home’s grisly background but apparently are willing to risk it to get their girls out of the big city and into the safe confines of small town America.

           

     Their oldest daughter,Juliet (Katrina Bowden), is very vocal about her disapproval and seems intent on reminding her parents of her displeasure at every chance. As soon as she arrives in town she sets her eyes on the local bad boy, Billy. In addition to being a little bit of a sleaze bag, Billy runs with a crew of guys who are willing to stoop to pretty low levels to make a buck. They set their eyes on the Delany family and are planning to rob them (and perhaps have some other fun as well).

          

 

     The Delany parents are away for the weekend and leave Juliet in charge. Billy and his crew show up with the intention of breaking and entering, only to find Juliet waiting on them ready to party. Though caught off guard, the miscreants decide not to look a gift horse in the mouth. Juliet gets ready to get down while her youngest sister worries about this unexpected party. Meanwhile, one the miscreant lads, who seems to have a screw loose, may have his mind on some more violent fun.

            

     The local sheriff (Thomas Jane) shows up and the scream of Juliet’s sister tips them off that there is trouble. A werewolf is stalking them, but who is it? Is it Juliet? One of her sisters? One of the boys? Someone else? This is the mystery we must solve. I don’t want to tell you anymore because I don’t want to spoil the surprise.

            

     Hunter’s Moon reminded me a little of the old Peter Cushing movie, The Beast Must Die. That film also involved a werewolf and a group of trapped people and the werewolf’s identity was a mystery until the end of the film. The Beast Must Die, though, was a pretty cheesy film that dripped with camp 70s exploitation. Hunter’s Moon is a much more straight forward film played very seriously.

            

     For what (I assume) is a lower budget movie, it has a really good cast. Besides Sean Patrick Flannery, there is also Thomas Jane who is no stranger to horror having starred in the shark movie Deep Blue Sea and The Mist. Jane plays against type here. Rather than the rugged hero he plays a local yokel complete with accent. I have to imagine that Jane had some fun with the role.

            

     Long time horror fans will recognize Amanda Wyss as the mother of the girls. Amanda’s acting credits are as long as your arm but she will always be remembered as Tina from Nightmare on Elmstreet. The heavy lifting of the film is done by its main star, Katrina Bowden. Though she is in her early 30s, Katrina has that kind of impeccable sexiness that still allows her to pass for a much younger woman. She is no stranger to horror herself having starred in Tucker and Dave vs. Evil, The Nurse and Piranha 3D (all highly entertaining movies).

           

     I really only have one complaint about the film and that is that we don’t get to see enough of the werewolf! We don’t get a good look at it until the end of the film and it doesn’t look half bad. It’s not Howling quality mind you, but not bad. It’s about on par with the Eric Cord Werewolf TV show if you remember that. Well, I guess given the cast, most of the budget probably went to salaries and didn’t leave enough for lots of werewolf sightings. Coincidentally, in The Beast Must Die, we don’t get to see much of the werewolf there either, but its werewolf was just a creepy looking dog (remember I said that was a cheesy movie).

           

     If you are a fan of lycanthropic cinema, Hunter’s Moon provides an interesting take on an old genre.

Re-Animator Trilogy

Re-Animator Trilogy

          This is a trilogy of films very loosely based on the story, Herbert West, Reanimator by H.P. Lovecraft. All three films star Jeffery Combs as the title character and all three were either directed or produced by Brian Yuzna.

Re-Animator

1985

Director- Stuart Gordon

Cast- Jeffrey Combs, Bruce Abbott, Barbara Crampton, David Gale, Robert Sampson, Gerry Black

           

     Herbert West (Combs) is a genius studying the mysteries of life and death. He has developed a serum that brings the dead back to life. Unfortunately, the recently revived are violent and insane. Well, can’t make an omelet without breaking some eggs, right? He has had to flee medical school in Europe after bringing someone back with disastrous results, and he ends up at good old Miskatonic University, home of the Fightin’ Shoggoths (not really).

            

     He meets up with another up and coming student, Dan Cain (Bruce Abbott). Dan is pretty straight laced and is dating the Dean’s daughter, Megan (Barbara Crampton). Dean Halsey (Sampson) seems to be an OK guy but another member of the faculty, Dr. Hill (David Gale) is a real creep. Hill is a plagiarist, ripping off other people’s ideas, and has a perverse obsession with Megan. Herbert and Hill soon butt heads and Hill makes it his mission to ruin Herbert (while also finding a way into Meg’s pants).

            

     Meanwhile, Herbert goes on about his business, conducting his experiments in reanimation. Dan finds out about it when Herbert reanimates Dan’s dead cat (which Herbert may or may not have killed in the first place). Dan and Meg are initially appropriately horrified, but like Dr. Pretorius seducing Frankenstein to the dark side, Herbert soon lures Dan in to helping him.

            

     Meanwhile, Dr. Hill has brought Dean Halsey under his spell (more about that later) and Halsey has his eye on Herbert and Dan. He interferes with an experiment, things happen, and Halsey ends up dead. No worries, right, because Herbert can just bring him back to life, which he does, but now Halsey is a gibbering idiot.

           

     

    Meg is freaked out and accurately blames Dan and Herbert.  Dr. Hill, meanwhile, has discovered Herbert’s secret and tries to steal it (he is a plagiarist after all). Well, I guess Hell hath no fury like a grad student scorned because Herbert retaliates by chopping off Hill’s head and then bringing him back to life. Herbert didn’t count on Hill’s extraordinary mental prowess, however. Not only does Hill’s decapitated head retain all of his intelligence, he can also remotely control his headless body.

         

     The rest of the movie gets more insane from there including the most memorable scene of the film where Meg is the unwilling recipient of oral sex from Hill’s decapitated head as it’s held by Hill’s headless body (you read that right). The finale of the film is a Grand Guignol of gory violence as Hill reanimates all the bodies in a morgue and sics them on Herbert and Dan.

            

     Stuart Gordon had a long and illustrates career so I hate to say that his best movie was his first because that makes the rest of his career seem anticlimactic, which it wasn’t. Actually, I think his best film was Dagon, but his best loved film, his most famous film, and the one that he will always be remembered for is Re-animator.  The film just works on so many levels.  It has a good blend of humor and gore, excellent casting, and really nice effects. It’s hard to classify this as a B movie because the production values seem so good.

            

     

     The real jewel in the crown of this film though was the casting of Jeffery Combs as Herbert West. The casting director deserves a gold star for it. This was early in Comb’s career and this was his first leading role, so it was a gutsy move to put so much of the movie in his hands, but it paid off. The film made Combs a genre star and ensured a long career that is still going. I simply can’t imagine any other actor playing that part so well.

            

     This movie was a staple of the video store era. Any video store worth its salt was going to have a copy of this film on its horror shelf. Depending on where you lived (and rented videos) you may have seen one of two versions. The most common version was “unrated” and had all of the gore that made this film legendary. However, some of you may have been unlucky enough to see the “R” version. This version had some of the gore edited out. HOWEVER, it did have extra scenes that the unrated version didn’t have. Several of the scenes show that Dr. Hill had Svengali like mental powers that he uses to dominate the wills of the other characters in the film. Another scene shows Herbert shooting up some of his reagent to keep his mind fresh so that he doesn’t have to sleep. These added scenes, while kind of slow and boring, do help the movie make more sense. It helps us understand why Hill retained his personality after re-animation and why he was so easily able to control other re-animated bodies. Luckily there is a newer version out now that contains both the gore and the extra scenes (coming in at 105 minutes as opposed to the original 86 minutes).

            

     Re-Animator is a film that belongs in every horror fan’s library. If you were making a list of the best 80s horror, or best horror-comedy’s, or best gore, this movie would make it somewhere into your top 10. Highly recommended.

   

Bride of the Re-Animator

1990

Director- Brian Yuzna

Cast- Jeffrey Combs, Bruce Abbott, Kathleen Kinmont, Fabiana Udenio, David Gale, Mel Stewart

            

     This movie picks up with Herbert and Dan working as battlefield medics in some banana republic. All the dead soldiers give them lots of raw material. More importantly, using tissue from a local species of iguana, Herbert has found something that he thinks will improve his reagent.

            

     Herbert and Dan make their way back to the states and get jobs as doctors in a hospital. Dan is ready to put all the bringing back the dead nonsense behind him, but Herbert is keeping his eyes on the prize. Dan has become a little fixated with one of his patients. Gloria (Kathleen Kinmont) is dying slowly from an illness and Dan experiences some doctor-patient counter transference. He sees in her his old girlfriend, Meg, whose life he couldn’t save at the end of the last film.

           

    

    Herbert’s new re-animation techniques enable him to combine parts and reanimate them in crazy new forms. This allows for some disturbing combinations like a dog with a human hand, an eyeball that walks around with fingers and other abominations. Herbert piques Dan’s interest when he reveals that he saved Meg’s heart after she died. They concoct a plan to build a Bride of Frankenstein like creature from different women using Meg’s heart as the centerpiece. Dan gets a two for one special when Gloria dies and he decides to use her head to top off the body.

            

     Dr. Hill from the first film returns to harass the pair and has his mobility restored courtesy of some bat wings sewn on to his decapitated head. He is really just a peripheral villain though. The real antagonist is Herbert and Dan’s hubris that we all know is going to get them in the end.

            

     Brian Yuzna (who produced the first film) directed this one, but there isn’t a big change in the tone. Yuzna and Stuart Gordon worked together a lot over the years. Though Yuzna’s style was very different than Gordon’s, for whatever reason, this film feels very much like the first. That may be because so much of the original cast came back. Bruce Abbott and Jeffery Combs made a great team, playing off of each other well. That combination would be missed in the third film. Bride of the Re-animator isn’t as classic and “must see” as the first, but fans of the first film will definitely want this in their collection.

Beyond Re-Animator

2003

Director- Brian Yuzna

Cast- Jeffrey Combs, Jason Barry, Elsa Pataky, Enrique Arce, Santiago Segura, Raquel Gribler, Nico Baixas, Simón Andreu

            

     The film starts with a young kid seeing his sister murdered by one of Herbert’s reanimated corpses and then watching Herbert being hauled off in the back of a patrol car. Fast forward 13 years and that kid is now a doctor. Dr. Howard Phillips (yeah that’s his name) is starting work as the medical director in a prison that has an unsavory reputation. It is run by a cruel warden (Simón Andreu) who delights in abusing his prisoners. Elsa Pataky (who you will recognize from her numerous appearances in the Fast and Furious franchise) plays Laura, a young reporter trying to do a story about the prison.

           

     It’s no coincidence that Howard is the new prison doctor. He chose that location precisely because that is where Herbert West has been incarcerated. Herbert, bereft of his laboratory and bodies, has had to take his experiments in a different direction. Using rats that he catches he has devised a technique to capture an essence, which he calls nano-plasm energy, which he thinks will cure the problem he has had with his re-animated subjects going crazy. Howard and Herbert set up a lab and start experimenting; all the while Howard is carrying on a relationship with the young reporter.

            

     

   The Yuzna style was a lot more evident in this film than in the last. It’s not so much that the gore is gorier as much as it’s sillier and more outlandish. The film was shot in Spain (just like other Yuzna productions Faust, Love of the Damned and Dagon) and there is no way to hide that. Besides the many Spanish actors there are other things (like the Euro style ambulances) that keep reminding you where they are. This is not really a bad thing, it’s just a little jarring after the American settings of the first two films.

         

 

     Fans of Spanish horror will recognize Santiago Segura as a drug addicted inmate who will do anything to get a high, including shooting up a massive dose of Herbert’s reagent. His best role was in El día de la bestia, but he also had smaller parts in Dance with the Devil, The Killer Barbies, Blade 2, Hellboy, The Last Circus and Witching and Bitching.

            

     The story really just rehashes themes from the first two films. The warden is just a Spanish version of Dr. Hill and there is the whole trying to re-animate a lost love. Unfortunately, it’s missing the chemistry of Combs and Abbott. On the plus side, there is very little CGI. The high point of the film though is Elsa Pataky who is not just hot but also provides some of the more interesting scenes after she gets reanimated.

            

     Not a great film. I certainly wouldn’t recommend it for someone new to the series. But for hardcore fans of the first two films, this is as good of a swan song as we are likely to get. Another sequel was planned, a kind of Island of Dr. Moreau story, but it never materialized and after this much time it’s unlikely that it will.