Tuesday, November 14, 2023

Suitable Flesh

 



Suitable Flesh

2023

Director- Joe Lynch

Cast- Heather Graham, Barbara Crampton, Bruce Davidson, Judah Lewis, Johnathon Schaech

            Suitable Flesh is a loose adaptation of H.P. Lovecraft’s story “The Thing on the Doorstep.” I say “loose” because, if you are familiar with Lovecraft, then you know that his stuff doesn’t exactly lend itself to easy cinematic adaptation. First off, most of his work is nearly a hundred years old and even in the 1930s his writing style was archaic, seeming like something from a century earlier. Furthermore, his stories often don’t present themselves in a sequential style needed for a movie. The stories don’t have lots of characters with dialogue that move a plot along but rather rely on a narrator’s description of events. The biggest reason that they don’t adapt well to film is that movies are a visual medium and Lovecraft relies on ideas that are inherently unfathomable, unimaginable or otherwise indescribable.

            That said, Lovecraft’s ideas are fertile grounds for endless exploration and have found their way into hundreds of films either as cinematic adaptations or just as inspirations. The Color Out of Space alone has been adapted to the screen at least four different times.

            Having said all that, The Thing on the Doorstep is a bit more adaptation friendly as it doesn’t involve interdimensional beings or cosmos spanning deities like some of Lovecraft’s other stories. Without spoiling it too bad, the themes of The Thing on the Doorstep are 1) mind control and 2) swapped genders, both of which are psychological concepts and can be expressed without special effects.



            Interestingly, the idea of gender swapping probably seems a lot less shocking now (if its even shocking at all now) than it would have been in the 1930s. On the other hand, having your gender swapped involuntarily and repeatedly would probably be pretty horrific, which leads us to another common Lovecraft theme; insanity. The characters in his stories seem to be constantly on the verge of losing their minds as each fresh new horror is loosed upon them.



            Suitable Flesh puts us even closer to insanity with its choice of characters. Heather Graham is a psychiatrist who encounters a young man who she believes to be schizophrenic (Judah Lewis the young protagonist from The Babysitter). She doesn’t exactly practice a good work/ life balance and thoughts of her young patient become an obsession coupled with sexual fantasies. Her confidant is her best friend and fellow psychiatrist played by Barbara Crampton (with her own list of Lovecraft credits including Re-Animator and From Beyond). Bruce Davidson (Lords of Salem) turns in a small but memorable supporting performance as her young patient’s father. Since a central theme is mind control, all the actors get to try on different personalities and at times the audience may not be sure of the motivations of the characters which lends itself to the fear of impending insanity.



            If your only experience with Lovecraft on film are the Stuart Gordon movies like Re-Animator and Dagon, Suitable Flesh is about as far from those as you can get. This is largely psychological-body horror for the first two-thirds of the film though the ending gets pretty brutal. Overall though, this is a low-key movie that depends more on the audience’s empathy with the protagonist than on visual scares.

            If you are hoping for a return to the gory-glory days of Brian Yuzna and Stuart Gordon, I’m afraid that Suitable Flesh may leave you wanting. On the other hand, if you are looking for a story that gets a little bit closer to Lovecraft’s intentions than most other adaptations, then you need to check this film out.



             

Saturday, November 11, 2023

Rasputin: The Mad Monk

 



Rasputin: The Mad Monk

1966

Director- Don Sharp

Cast- Christopher Lee, Barbara Shelley, Francis Matthews, Suzan Farmer, Richard Pasco, Renée Asherson,

            This film is a bit of a departure for Hammer, being less a horror film and more of a historical drama with horrific elements.  It is loosely based on the real-life exploits and gruesome death of Russian mystic, Grigori Rasputin. The real-life Rasputin had insinuated himself into the imperial court. He supposedly had mystic powers that he used to gain favor in that court. He was rather licentious and many believed that he was dominating the mind of the Russian Empress. He was finally assassinated and (if the stories are to be believed) was tougher to kill than the most determined 80s slasher.

            Rasputin’s larger than life legend was a popular story almost as soon as he died. The Hammer film was made only 50 years after his death and already several other films had been made.

            The movie was made back to back with Dracula Prince of Darkness using some of the same sets and most of the same cast (Lee, Shelley, Farmer, Matthews). The director, Don Sharp, had already done several Hammer films, most notably Kiss of the Vampire.



            Interestingly, Christopher Lee’s portrayal of Rasputin was probably closer to the Dracula that appeared in Stoker’s novel than any version of Dracula that Lee ever played. Lee’s Rasputin is a narcissistic sociopath who dominates people’s minds and casts them aside when he’s done with them. He is a truly loathsome villain. Lee described it as one of the best performances of his life and it may be.

            Barbara Shelley likewise turns in a strong performance as the lady in waiting whose mind is controlled by Rasputin. Shelley had played tragic characters before in The Gorgon and Dracula, Prince of Darkness, but this was a meatier part and the viewer really does feel sorry for her as she debases herself before the unfeeling Rasputin.

            For Hammer fans familiar with their straight up horror pics, this might be a strange transition. After all, there are no vampires, ghosts, sorcerers, or reanimated creatures.  But any fan of Christopher Lee will be surprised to see just how despicable he can be.