Hellhole
1985
Director- Pierre De Moro
Cast- Judy Landers, Ray Sharkley, Mary Woronov, Edy
Williams, Robert Z-Dar, Natalie Main, Lamya Derval
Susan
(Judy Landers) finds herself caught up in a convoluted plot of a criminal
trying to find some incriminating documents. She walks in on her mother being
strangled by a killer (Ray Sharkley) that looks like he walked out of a leather
bar. She runs but the killer catches her and pushes her off of a building.
However,
rather than dying, she survives but with amnesia. She doesn’t remember who she
is or what happened to her. She is sent to an asylum for women in the hopes
that she can recover her memory. Her would be killer infiltrates disguised as
an orderly in the hopes of interrogating her about the missing papers.
If this
isn’t bad enough, the asylum is being run by an amoral mad scientist (Mary
Woronov from Chopping Mall, Night of the Comet, Death Race 2000, and Silent
Night Bloody Night). Any patient who acts up is snatched up by the doctor’s
goon squad and whisked away to Hellhole, a building where the mad doctor
conducts her psychiatric experiments. Most patients never return and those that
do are the worse for wear.
Hellhole
gives little to no thought toward realism.
Judy Landers wears a sexily cut dress as her patient attire. The medical
staff seems largely oblivious. Anyone who has ever worked in either a hospital
or an inpatient mental health facility will laugh at the ridiculous over the
top sexiness. Hot girls get into naked shower fights, hot girls have topless
mud baths, and more hot girls get their hands on drugs and have sex with the staff.
The sexiness is led by exploitation star, and former wife of Russ Meyers, Edy
Williams. Edy makes for a great early 80s sexbomb with her big, bleached blonde
hair.
Besides
the sex, the sleaze is laid on pretty thick, thanks mostly to Ray Sharkley as
Silk, the killer who stalks Susan through the film. He is a truly deplorable
character who abuses or insults just about everyone in the film. He’s so sleazy
that he’s often more caricature than character, but that’s the charm of the
film.
Despite
all the obvious tongue in cheek fun, the film does manage to conjure up some feeling
of menace, especially within Hellhole itself. Patients, driven mad by the
doctor’s drugs, are reduced to feral creatures. Added to this is the doctor’s
goon squad led by Robert Z’Dar (best known as the Maniac Cop). He has a real
intimidating physical presence that seems even more intimidating when he shares
the screen with Judy Lander’s delicate beauty.
Of
course, Judy Landers is the main attraction. She has the unconscious charisma that just
makes you want to watch her. She always had a bit of a good girl image which
contrasts sharply with the film’s overt sleaziness.
Judy and her sister Audrey
were mainstays of late 70s /early 80s pop culture. One or both of them made an
appearance in just about every show worth watching. Judy herself showed up in
Vegas, Buck Rogers, Knight Rider, The A-Team, Alf, Night Court, and CHiPs. Audrey
had a regular role on Dallas and also appeared on Battlestar Galactica, Happy
Days, Police Woman, The Dukes of Hazard, Hotel, Crazy Like a Fox and MacGyver,
Both sisters made appearances on Charlies’ Angels, Love Boat, BJ and the Bear, and
Fantasy Island.
If you were a TV show in the 80s and the Landers sisters didn’t make an appearance, you have to question your significance as a TV show. Judy also did several movies including Stewardess School and Dr. Alien.
Hellhole is a crazy mishmash
of genres. It has a heavy dose of the women in prison genre, even though they
aren’t actually in a prison. Added to this is a doctor making mental zombies, a lot of over the top sexuality, a
little bit of Giallo, and some kind of organized crime angle thrown in for good
measure. Don’t watch this if you are wanting a thought provoking mystery or a
careful study of human nature. On the other hand, if you’re wanting to check
your brain at the door with some cartoonish characters and a hefty dose of TnA,
then Hellhole might do the trick.