Making the Passion Project: An Interview with Johnny K., Director of The Oath: A Batman Fan Film

 

Making the Passion Project: An Interview with Johnny K., Director of The Oath: A Batman Fan Film 

1-First, tell us who you are and what you do.

I’m Johnny K., filmmaker and owner of Kaotica Studios.

2-The last time that we saw you was a long time ago, just before COVID. You were making your first film, The Killer of Grassy Ridge. So to catch up, how did that film ultimately fare?

The Killer of Grassy Ridge shattered all my expectations. It was made as a personal challenge, just to see if I could actually make a short film, despite all the excuses I’d been giving myself for years. When the film was edited and released, I was just happy that I’d finished a creative project I started.

It was then accepted by 50+ festivals worldwide and landed on Amazon, and we took home lots of awards for Best U.S Short Film, Best Cinematography, Best Horror, and more. I had no idea that debut short films could win things like that, and I’m still very proud of that movie. It was proof to myself that amazing things can happen when you stop making excuses, get out of your own way, and just do the thing you love, and I’ll always have that movie to look back on as a reminder.

3- What have you been up to over the past 2 years?

Life’s been very busy, personally and professionally, but in a good way. We shot our second short, Red Eagle-1, in the middle of lockdown during the pandemic, and I’m really looking forward to getting back to that movie and getting it out there. I was also recruited to shoot and direct Farragut Forward, a Star Trek fan production. We’ve already released the first three minutes on YouTube and we’re now right in the middle of our year-long production. With all the complex wardrobe and set construction, it’s a massive project but lots of fun.

That’s insane, when you think about it, but it’s all for love of Batman.

4- So on to your new film, The Oath: A Batman Fan Film.  This looks a lot more complicated than The Killer of Grassy Ridge. How much time was spent on this, all total from pre-production to final editing?

Two years… for a 17-minute short film that I’ll never see a dollar from. That’s insane, when you think about it, but it’s all for love of Batman.

I’m a huge fan of Batman (1989) and The Oath is the definition of a passion project. It was one year of pre-production and one year of post-production. I started the script in February 2021, we shot the bulk of it November-December 2021, and it finally premiered on YouTube a year later in December 2022. In our first week, we got around 75,000 views and some major news coverage, which far exceeded any of my expectations.

5-It definitely seems like a homage to the 2 Tim Burton Batman films. Of all the various incarnations of Batman, what attracted you to those?

Batman (1989) captivated me as a nine-year-old kid and it still does today. I loved the darkness and grittiness. Anton Furst’s production design, and the sprawling backlot of Pinewood Studios made Gotham feel like this vast and surreal fantasy world with all manner of dark creatures lurking in the alleys. I’ve always wanted to see more of that world, and in my humble opinion, not even Batman Returns (1992) could live up to it. Don’t get me wrong, I love Tim Burton and Batman Returns, but if you watch those two movies back-to-back today, you’ll see how VERY different they are.

For The Oath, I was really interested in exploring more of those Gotham alleys, the mob, corruption, and some whispered rumors of a winged vigilante, but from the point of view of a Gotham cop who has to live and work in that world.

Based on our YouTube comments, what we were trying to achieve with The Oath has resonated with a lot of people, and after spending two years to make this film, that’s very satisfying to see. We have so much more story to tell and I hope to get the opportunity to run with it. I don’t think we’ve seen the end of Sgt. Frank Kelly and the other characters…

 ...I picked up an obsession for screen-accuracy and trying to be as accurate as possible to the original source material.

6- Now something the readers may not know, you are an accomplished cosplayer, You’ve even gotten a costume into the 501st if I’m not mistaken and they’re pretty picky. Did your cosplaying skills or connections come in handy when making this film?

Definitely. This entire project was inspired when my friend Guillermo Mejía (aka, William Jay) bought a Batman costume and we did a photoshoot, so connections with friends and the local costumer scene are really what started all of this. As far as my own experience with costuming in The Finest, the 501^st Legion, and other charity groups, I picked up an obsession for screen-accuracy and trying to be as accurate as possible to the original source material.

I think that really benefited The Oath, especially when creating the Gotham Police costumes. I spent a lot of time researching the original cop costumes used in Batman ’89, finding the right leather coats in the U.K., having the Gotham badges and patches custom-made, etc. After our trailer released, I heard from Hollywood legend and Oscar-nominated costume designer Bob Ringwood, who designed costumes for Batman (1989), and he shared his original designs for the Gotham police uniforms, which I had never seen. That was amazing to see, not just as a filmmaker, but as a huge fan of Batman (1989).

7- This film has a lot of attention to detail; Gotham PD badges, wanted posters etc. Talk about some of the minutiae that you’re most proud of.

Thanks for noticing that! Besides Johnny Gobs, Alexander Knox, Lt. Eckhardt, etc., there are so many nerdy little details in The Oath; things that most people, and even die-hard fans of Batman (1989) would never notice. We had Gotham Globe newspapers custom-made for our movie, and since we didn’t want to use bogus “filler” text for articles, we actually wrote real “in-universe” articles for those newspapers about things going on in Gotham City. Like Mayor Borg’s plans for Gotham’s upcoming 200^th birthday celebration, statements from the newly-elected District Attorney Harvey Dent, etc. Besides Alexander Knox, even the names of the Gotham Globe journalists and authors were taken from the novelization of Batman (1989) written by Craig Shaw Gardner, which names several Gotham Globe employees.

The wanted poster of Jimmy Atlas is inspired by Jack Napier’s wanted poster in Batman (1989), and on that poster, we noted Sofia Falcone as one of his associates. Batman fans know her as the daughter of crime-boss Carmine Falcone, and I loved using that to allude to the larger universe.

The police dispatcher on the radio says Jimmy Atlas has been spotted near the corner of “Furst and Pratt” streets. Those are homages to Batman production designer Anton Furst and cinematographer Roger Pratt, who also shot a couple of the Harry Potter movies. On the Wayne Foundation envelope and letter, we see that Sgt. Kelly’s home address is on Finger Street, which is named in honor of Batman co-creator Bill Finger. There are so many more little things like that in the film and we enjoy fans trying to spot them all.

8- The musical score sounds legit.  Tell us about that.

Music can make or break a film and our composers knocked it out of the park. Most of our music is from Italian composer Franceso D’Andrea, whose music has been featured in shows like “The Big Bang Theory”, “Mad Men”, “How I Met Your Mother”, “CSI NY”, and more. We licensed many of Francesco’s tracks for The Oath which I used during the editing process, and then he scored “The Oath Fight Cue” for us, an original track that plays as Batman jumps off the roof into the action. The title track of the movie is called “March of the Giants,” and from the first time I heard it, I knew that would be the opening of our film. That track is the only reason we decided to put opening titles at the beginning of the film, which is typically not done for a short film. But I wanted “March of the Giants” and those nostalgic yellow titles on blue smoke to call back to Batman (1989) and set the tone for our film.  I’ve heard that song several times a day, every day, for 18 months and I still love it!

Additional music was provided by composers Jordan Hatfield and Jakub Pietras and I’m really happy with all of it. Please check out their work on Spotify or other sites and help support our artists!

9- Connecting your first film to this one, are there any lessons that you learned with Grassy Ridge that you are still using?

A lesson I learned on Killer that I failed to use on The Oath is to NOT shoot your movie outside in freezing temperatures. Guillermo, our Batman actor, was very comfortable because that costume gets so hot, but the rest of our cast and crew endured some freezing cold nights on set at 3am! Our crew achieved a lot in a very short amount of time, and crews never get enough credit for all that hard work, so my thanks to them for putting up with everything that was thrown at them!

As a filmmaker, you go to great lengths to surround yourself with very talented people on set, so it would be foolish to not keep an ear open for their ideas.

10- What new lessons did you learn while making The Oath?

The Oath reminded me to be open to ideas and suggestions coming from the cast and crew. A film set should never be a democracy, or you’ll just waste a lot of people’s time, but as the director, I was receptive to ideas from the cast and crew that were never written in the script. It was actor Jerry Morgan’s idea for Sgt. Kelly to take the pack of cigarettes from Johnny Gobs’ corpse at the start of the film, and I thought that was a great addition and very true to Sgt. Kelly’s character. Similarly, Oz Keenum, who played mobster Jimmy Atlas, suggested that he touch and caress Sgt. Kelly’s police badge after their exchange, as if to say he just bought and paid for that badge, and I thought that was brilliant. I believe it was also Jerry’s idea to put his wife’s photo in Sgt. Kelly’s pocket-watch, and that became a big part of his character’s motivation. As a filmmaker, you go to great lengths to surround yourself with very talented people on set, so it would be foolish to not keep an ear open for their ideas.

11- For the technically minded, what did you use to make this; camera, editing software etc.

We shot The Oath in 6K resolution on a Blackmagic Pocket Cinema Camera 6K Pro with Canon and Sigma lenses. It was my first extended shoot using that camera and I loved it. Everything was very intuitive and I didn’t have to waste a lot of time on set figuring out settings, etc. That camera and our lenses also perform exceptionally well in low-light, which was obviously important for The Oath since so much of the film was shot in pitch black.

The film’s opening jib shot in the alley was shot on my old faithful Nikon D3300 (the same DSLR I used to shoot The Killer of Grassy Ridge) because the Blackmagic camera was too heavy to use on our jib, and we didn’t have the budget for a new jib! A few insert shots, including the establishing shot of the Gotham City painting (painted by artist Joe Granski) were actually shot on my phone. It just goes to show how far technology has come.

The film was edited using Davinci Resolve which has become my go-to favorite software. Besides the Hollywood/industry-standard color grading application, it’s a very powerful editor, VFX, and sound design platform, and it eliminates the need to export your project around multiple programs. It does it all.

... the worst thing you can do is put too much light on Batman. 

12- Another technical question. The lighting seems pretty moody. Talk about what you did.

When we made The Killer of Grassy Ridge I was really inspired by The Revenant (2015) and the use of natural light in that movie. Killer taught me that there wasn’t a need to “over-light” everything. Not every shot requires an overpowering key light, lots of fill, etc., and sometimes less is more, since what you CAN’T see is usually more interesting than what you CAN see, especially in Gotham City.

That approach really worked for The Oath, since the worst thing you can do is put too much light on Batman. I wanted to keep him in the shadows, with lots of reverse-key and edge-light on the iconic silhouette. That moody style then carried over to the rest of the film as well, with lots of hard-light, shadows, and the “color noir” style we hoped to achieve. Almost every costume in our film is black, so shooting those black costumes against black streets in the black of night required lots of creative edge-lighting. We barely used any fill light in The Oath, especially on Sgt. Kelly, since I wanted half his face in darkness for a good bit of the film, to help thematically emphasize his “dark side” if you will. Even in the last scene, at our resolution, half his face is still in complete darkness, perhaps symbolizing that a part of him remains in conflict. Art is, of course, highly-subjective, but I’m very pleased with the overall look of the film.

13- If you had to nail it down to one thing, what single thing are you most proud of when it comes to The Oath?

There are many things, but I’ll mention the casting. Every actor in The Oath was my first choice for that role. During pre-production, and even as the script was still being written, I spent a lot of time thinking about actors who I knew who could pull off those roles. Jerry Morgan, Oz Keenum, Chris Konke, and I all met while filming different shows, and I was impressed with all of them. Jerry, who plays Sgt. Kelly, is a tough guy with a big heart, a Marine Corps veteran, and he’s lived a life, and I knew he’d be perfect for Sgt. Kelly. Oz may be in danger of getting typecast as a gangster because he’s so good at it! The character notes for Jimmy Atlas called him something like “a serial killer disguised as a businessman,” and I knew Oz would crush that role. Chris Konke played Sgt. Kelly’s partner, and with Kelly being a man of few words, Chris’ role was important to get certain bits of exposition out to the audience in a very short amount of time. Guillermo Mejía was great as Batman, despite all the challenges that came with moving in the bat-suit, and I obviously knew how talented Michael Stumbo was after we filmed The Killer of Grassy Ridge. Although The Oath is non-profit, we’ve had lots of eyeballs on it and my hope is that it draws more attention to our very talented cast and crew and launches them in new directions.

14-OK, the next few questions are a chance to geek out about Batman. I think it’s safe to say that Batman has become the most recognizable superhero on the planet. If not he’s a very close second behind Superman.  What do you think is the appeal of this character?

I’ve always related more to Batman because he’s not an alien, and he wasn’t bitten by a radioactive spider, or the victim of some lab accident. He’s just a guy, albeit a rich one, but there’s something interesting about a man who dresses up as a terrifying figure to beat criminals to a pulp. That’s not a normal thing that normal people do, and the psychology behind Batman, and the pros and cons of “vigilante justice” have always been interesting to me. He’s multi-layered and practically an anti-hero, and I like Batman in much the same way I like the Punisher.

15- Of all the actors that have portrayed Batman, who are your top 3?

Michael Keaton… I’ve honestly not seen any of the other films enough to rate anyone else.

I have to mention Kevin Conroy. With 30 years in the cowl, his contributions as Batman in The Animated Series, games, and other media, definitely earn him a spot on my short list! Kevin passed away on the same day we were shooting some behind the scenes interviews for The Oath, and you can feel the impact of his loss in our footage. He was a legend and will always be remembered.

 The world was robbed in that we never got to see Billy Dee Williams become Two-Face in a third Tim Burton film.

16- A big part of the Batman mythology is his rogue’s gallery. Give us your top 5 Batman villains and why?

Catwoman, for many of the same reasons I like Batman. She’s a tragic figure and I love certain interactions between Bruce and Selina, especially when they each know who the other is. The scene in Batman Returns when they go to the costume ball and their costumes are their real faces – absolutely brilliant.

Carmine Falcone. I really like non-super villain stories which flesh out the shady underworld of Gotham. “The Long Halloween” is probably my favorite Batman comic, and I loved John Doman’s performance as Falcone in the show Gotham.  

Two-Face. I like Harvey Dent in general - a mostly-good character with a major flaw. It’s always interesting to see such a good character flip to the extreme and become a villain. The world was robbed in that we never got to see Billy Dee Williams become Two-Face in a third Tim Burton film.

Scarecrow. There are so many fun places to go with this character because we can all relate to having unspeakable and inescapable primal fears. I think I’ve yet to see Scarecrow used to his absolute full potential.

17-OK, now’s your chance to play armchair movie critic.  What would you like to see Hollywood do with the Batman franchise?

Take a nice long break and regroup.

The superhero movie market is just so completely saturated, but studios are making way too much money for anyone to actually say that. I wish there was a greater focus on quality over quantity. I’d rather see one GREAT superhero movie every five years than five mediocre “hits” in the same year. But those five mediocre hits make a boat-load of money and they’re not going anywhere.

Without Frank Miller’s Dark Knight Returns, we wouldn’t have any of the rest of it.

18-This a tough question- what do you think had the BIGGEST impact on the modern idea of Batman? Frank Miller’s Dark Knight Returns, Tim Burton’s Batman, or Batman the Animated Series?

I don’t think that’s a tough question. Without Frank Miller’s Dark Knight Returns, we wouldn’t have any of the rest of it. I love Superman (1978), but Batman (1989) reshaped what comic book movies could be and paved the way for everything else, and Frank Miller’s work was hugely responsible for that.

19- The year is almost over, what were some of the best new movies or shows you’ve seen this year?

I discovered Dark this year on Netflix and couldn’t stop watching it. It’s like a German mashup of Lost, X-Files, and Stranger Things and I thought the first season was fantastic.  I hope to get back to it soon.

It took a couple of episodes, but Andor ended up as one of the best shows I’ve seen in 20 years and is now my personal favorite Star Wars ANYTHING since the original trilogy, even better than Rogue One.

I also really enjoyed The Offer, about the making of The Godfather.

20-  Where can people see The Oath? And where can folks see more of your work?

The Oath premiered on the Kaotica Studios YouTube channel on December 6, 2022, and is free for all to enjoy. I can be found on Twitter (@ThatJohnnyKguy) and you can find Kaotica Studios on (almost) all social media, and at www.KaoticaStudios.com. As a small and growing studio, we have to fight to get our name out there and get noticed by our algorithm overlords, so please LIKE and SUBSCRIBE! It really does help us.

Thanks for the interview!

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Evil Priests, Swordfights and Drugs: An Interview with James Dean, the Director of Fountaine and the Vengeful Nun Who Wouldn’t Die

 

Evil Priests, Swordfights and Drugs: An Interview with James Dean, the Director of Fountaine and the Vengeful Nun Who Wouldn’t Die

     Tell us who you are and what you do: My name is James Dean and I am an indie filmmaker.  I own and operate Monster Kid Productions LLC.

      In regards to your new movie, Fountaine and the Vengeful Nun Who Wouldn’t Die, without spoiling anything, give us a brief description of the film. Mary, The Maniac Nun must battle through gangs of thugs, a corrupt Church and even a few Nazis to bring her sister's killer to light and make them pay for her overdose.

    So I think I can say, without spoiling anything,  that parts of the film take place in a church. How did you arrange that? Because I can’t imagine the congregation knew what kind of scenes or movie that you were shooting. We found a church in rural Missouri that was no longer affiliated with the Catholic Church.  In short like most things to do with indie film, it was very tough to acquire.

    The film has a lot of action. Some of the martial arts looks legit as far as technique goes. I’m thinking specifically of Brian Davis. And Ron Clower does a pretty impressive spinning leap over a bad guy. Did anyone on the crew have martial training or were they just actors good at selling it? Brian Davis and Jaclyn Rachelle Tripp, "The Master" and "Lee" both hold black belts in martial arts.  Brian also owns and operates Logic Martial Arts and does stunt and fight choreography professionally.  He helped with the training for every fight in the movie.

    Fontaine seemed influenced by several different “exploitation” films and genres. What were some of the films that served as inspiration?  Fountaine was inspired by a lot of films.  Lady Snowblood was a massive inspiration along with Thriller: A Cruel Picture.  There are also touches of so many other films. Ilsa: She Wolf of the SS, School Of the Holy Beast, Ms 45 and many, many others.

     The term “exploitation film” doesn’t get applied to many films today, but if Fountaine had been made in the 70s or 80s, it would have probably been called an exploitation film. Would you label it as such, and what does the term “exploitation film” mean to you? As much as i dislike labels in general I'm happy when someone refers to Fountaine as an exploitation film.  It’s my love letter to the genre.

     For folks who aren’t familiar with exploitation, on the surface the films may just seem like gratuitous sex and violence. How would you explain, to the uninitiated, the value of films like Thriller: A Cruel Picture, Faster Pussycat! Kill! Kill!, or Foxy Brown? This is a tough one.  I think you really have to dig into the history of film in general.  Each sub genre of exploitation has quite a bit to say and explore. On one level exploitation films were made to keep eyes glued to the screen, but on the other hand most of them have a lot to say about the culture and time they are being created in.

     Lets talk about nunsploitation, the sub-genre of exploitation movies involving nuns. How familiar are you with that genre and are there any movies that you’d recommend? Nunsploitation.  I won't say that I know every single movie in the sub genre but I have seen quite a few.  One of my favorites is School of the Holy Beast.( It is difficult to track down, but worth it).  I love Killer Nun because it was my first nunsploitation.  Alucarda (1977) is also a must see!

    Fountaine was your first feature length film. What are some lessons that you learned from making it? This is a tough question.  I learned how to make a film.  Before Fountaine I made aprox 7 or 8 short films and a few skits.  You only become stronger at something when you do it.  I learned how to make a film.

    Without spoiling anything, what was something that you did that definitely worked that you’ll do again in your next film, and what was something that definitely did not work? Some things that worked well were planning cuts and the edit in advance.  It allowed me to be creative with the storytelling and the way it was being told. With our new film "Absolution" I concentrated much more on the acting, pacing and story telling and left more on set management and planning to the department heads.

         For the technically minded, can you tell us what you used to make the film as far as how you shot it, editing software etc. We shot mostly on a Canon C200 super 35 mm camera with L series glass.  I edited and color graded the film in Davinci Resolve

           In regards to casting, how do you decide who to cast and was there anything that anyone did in the casting process that sold you on them playing a certain part? The lead Mary (Mallory Stern) is a close friend.  We have played D & D together for years.  The part of Mary was wrote for her.  The other casting took some time to come together.  We held multiple rounds of casting and actually had to recast Lee at one point.

           Fountaine is available on streaming but you also put it out on Blu-ray. For people who may have grown up after the video store era, or for people who don’t see the value of owning a hardcopy anymore, can you explain the value of physical media. The Blu Rays have extra features.  Outtakes, BTS footage and also Commentary with myself, Mallory Stern and Brian Davis.  Additionally to all of those extras, physical media is the best way to support us and indie filmmaking.

           Are there any older films that you wish would get the digital remastered treatment? Or maybe some films that are in danger of being lost if they aren’t preserved? One unfortunate side effect of filmmaking for me is how limiting it has been [for me] consuming movies. There are a lot of boutique labels really killing it lately.  A few that I'd love to see released,  I'm pretty sure Brain Dead/ Dead Alive still doesn't have a Blu release in the US.  Also School of the Holy Beast would be great on physical.

           Streaming has been a boon to independent film makers because it makes it easier to get your product to the audience. On the other hand it’s made it easier for everyone. There is an ocean of new content out there making it harder than ever to get noticed. What can a film maker do to stand out in this new streaming landscape? This is a tough question.  I am still learning how to market myself and Monster Kid Productions.  I think being genuine and reaching out to other creators is a great first step.  Engaging with others around common interest (horror, genre) films is a step in the right direction.  Supporting other indie filmmakers is a must also!

           OK, the next few questions are just a chance to geek out about movies. 2022 is drawing to a close. What’s your favorite new movie that you’ve seen this year and why? Another tough one because I haven’t seen a lot.  Barbarian may stand out as my current favorite film of 2022.

           If you could work with any film maker, actor or director or whatever, past or present, who would it be and why? Akira Kurosawa. Even though I have only seen a few of his films I am constantly drawn in.  He demands that I pay attention.  He commands the frame in a way that I don't know I've seen many other filmmakers pull off.

          So Fountaine is in your rearview mirror. When can folks expect your next film? We just wrapped principal photography on "Absolution."  Synopsis: "A Vietnam veteran's chance encounter with a brutal street gang sends him down a path of vengeance." But if you are a movie buff I'd say its 75 percent Blue Ruin, 25 percent Death WIsh 3

           If someone wants to see Fountaine, where can they stream it?  Fountaine is streaming on multiple platforms.  Tubi Tvis currently the most friendly towards filmmakers.  It’s also on Amazon Prime and Troma Now on Nov 1st.    

            And if they want to get a hardcopy? https://www.monsterkidfilms.com/

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The 50 Sexiest Vampires in Horror Movies

 

The 50 Sexiest Vampires in Horror Movies           

Vampire movies probably make up the biggest subgenre of horror movies after slashers. One of the great attractions to the genre is the vampire’s sex appeal, something that exists mostly because of the movies. Dracula, as presented in Stoker’s novel is quite repulsive and doesn’t seduce his victims as much as uses a kind of psychic version of date rape drugs.

                Nosferatu, the first adaption of Dracula that still survives, presented a vampire more in line with Stoker’s vision. Despite Dracula not being sexy in Stoker’s novel, the novel is full of erotic elements and Hollywood understood that those erotic elements would be easier to present with an attractive lead rather than with something that looked like a hairless rat. That we consider Dracula a sexy character has less to do with Stoker and more to do with the movies.

                Since Lugosi, cinema has been awash with sexy vampires, some that have become a part of popular culture. I’ll admit to a real fondness for the subject matter. Vampire movies are my favorite subgenre of horror after infernal movies about witches, demons and devils. Fifty may seem like a rather large number, but I hope to share my love of the genre and include at least a few movies that you haven’t seen.

                You’ll notice some repeating trends throughout the list. First, obviously, Dracula, and the actors who played him, appears throughout the list. No surprise there. Also, Carmilla, the vampire created by Sheridan Le Fanu, has appeared in numerous vampire movies, usually with a lesbian theme either implied or explicitly depicted.

Another trend is the number of Hammer movies on the list. Between 1958 and 1974 Hammer made 16 of the best vampire movies you’ll ever see (well at least 12 or 13 and the occasional miss). If you are a fan of vampires and are unacquainted with Hammer, I encourage you to find the films listed here. Your time will be rewarded!

What follows is a list of the sexiest vampires in horror movies.  Did your favorite vamp make the list?

50 -Countess Wandesa (Patty Shepard)-Werewolf vs. Vampire Woman-In one of Paul Naschy’s most entertaining films, his beloved werewolf faces off against a vampire queen and her minions. What really catches the eye here is how goth she looks. Patty Shepard wears what looks like a black wedding dress and her skin is almost porcelain white. The film was essentially remade about 10 years later with a bigger budget and called Night of the Werewolf (which appears later on this list). Patty also appeared in another vampire film, Hannah Queen of the Vampires, though she wasn’t the vamp in that film.

49 -Countess Marya (Gloria Holden)-Dracula’s Daughter- This movie is probably the least well known of the Universal Monster franchise, which is a shame, because it was a groundbreaking, clever film. Gloria Holden plays the titular character who hopes to give up her thirst for blood but with little success. As far as I know it was the first film to feature the vampire as a protagonist, the first film to depict vampirism as an addiction or mental disorder and the first lesbian vampire film.

48-Countess Karlstein (Lina Romay)- Female Vampire- Spanish exploitation master Jess Franco’s most frequent collaborator was Lina Romay, and she is the star of this 1973 film that walked the line between erotica, exploitation and pornography, and sometimes crossed back and forth across the line given the numerous versions of the film that got released. Lina was far more sexually open that her predecessor, Soledad Miranda, and while Lina had more graphic roles, no other movie showcased her as much as this one.

47-Rose (Marilyn Chambers)- Rabid-This is definitely not your typical vampire film with 70s porn star Marilyn Chambers playing a victim of plastic surgery gone wrong. Rose is horribly injured in a motorcycle wreck and the doctors use an experimental technique to regrow damaged tissue. The process leaves Rose with a craving for blood and a voracious sexual appetite. However, rather than consuming the blood in the traditional way, she does so with a phallus that protrudes from her armpit. This is the film that made David Cronenberg a star and made body horror into a genre.

46-Luisa Karlstein  (Britt Nichols)- Daughter of Dracula- This film is definitely not to be confused with the Universal Horror film with a similar name that appeared a little earlier on the list. Jess Franco had a handful of women that he worked with over and over during his career. The primary was his longtime life partner Lina Romay and next was Soledad Miranda, who was definitely his muse before her death. Probably the third on his list was Britt Nichols who starred in 9 Franco films in 2 years. Britt was usually a supporting character except in 2 films; Franco’s lesbian nunploitation inquisition film, Les Demons, where Britt costarred as the lead, and Daughter of Dracula, where she is the titular character. Not nearly as graphic as Franco’s Female Vampire, but it would probably be shocking to a modern audience unaccustomed to 70s exploitation films.

45-Carmila/Mircala (Alexandra Bastedo)-Blood Spattered Bride- In this retelling of the Carmilla story, the vampire appears to lure a newlywed wife away from her narcissistic, abusive husband.  The Carmilla story has been the basis for many movies and this one probably has the most feminist message as the heroine’s husband is a really unlikable fellow. We are definitely rooting for the vampire in this one. Alexandra Bastedo has a very natural beauty, looking a little like a surfer girl version of a vampire.

44-Tiger Woman (Serena)- Vampire Circus-As Hammer studios was winding down in the 70s, they threw the rulebook out the window as far as vampire films. From 1970-1974, Hammer made some of the most experimental movies of the genre, and none were more experimental than Vampire Circus. With a host of unusual characters, the most memorable is the dancer who turns herself into a tiger. Even as a human she has an alien aesthetic and catlike grace. A truly original character.

43-La Contessa Dolingen (Rosalba Neri) -The Devil’s Wedding Night- This is a strange film mixing Norse mythology, vampire lore and satanism. Rosalba plays a kind of Bathory-esque vampire who uses a magic ring to summon virgins so that she can bathe in their blood. This is a fun Italian film with the kind of sexiness that you expect from European exploitation films of the 70s. Rosalba looks great naked and covered in virgin blood.

42-Zorina (Lorena Velázquez)-Santo vs. The Vampire Women- Any attempt to pigeon hole the Santo films will fail miserably as they are an eclectic blend of horror, sci-fi, wrestling and comic book style action. In this installment, the masked wrestler runs afoul of a coven of devil worshiping vampires led by Lorena Velázquez. Lorena was, in real life, Miss Mexico in the Miss Universe beauty pageant. She brought that charisma to the role and stands out in a movie with several vampire hotties.

41-Vampire Woman (Valerie Gaunt)- Horror of Dracula- Valerie Gaunt (great name for a horror actress!) only appeared in 2 films before calling it quits but those 2 films just happened to be Hammer’s inaugural Frankenstein and Dracula films. In Horror of Dracula, she plays Drac’s lone Bride. Valerie’s performance is short but memorable, creating an almost predator like creature. The images of her as a vampire still hold up 60 years later.

40-Betty/ Clarimonde (Pia Degermark)- Vampire Happening- This is a West German comedy /horror from the early 70s. It features the kind of dual role confusion that was common in Barbara Steele movies. Swedish actress Pia Degermark plays an American movie star that inherits a Transylvanian castle. What she doesn’t know is that her distant ancestor (also played by Degermark) is a vampire who still lives in the castle. The movie has the kind of nonchalant presentation of sexiness that you could find in 70s movies and Pia is sexy and entertaining in the dual roles.

39-Dracula (Miles O'Keeffe)-Waxwork- This is one of the most entertaining horror movies of the 80s and a terrific monster mash with various monsters and madmen. Genre fans probably know Miles best as a kind of poor man’s Conan in the Ator trilogy of fantasy films. Here he plays a more subdued role as the film’s version of Dracula. He had the long haired beard stubble cool of the late 80s and though he wouldn’t make sense as Drac in a serious adaptation of the book, he was perfect for this fun movie.

38-Tania (Miriam Giovanelli)- Dracula 3D- Dario Argento’s Dracula is a bad film. Whether it’s so bad that its good or just plain bad is a matter of personal taste. If there is one reason to watch it, however, its Miriam Giovanelli as Dracula’s super sexy, buxom vampire bride.  You get to see a whole lot of her and her scenes almost make up for the movies shortcomings.

37-Miriam (Catherine Deneuve)- The Hunger- Miriam is a millennia old vampire who creates vampire companions that only last a few hundred years before they start growing old. She sets her sights on Susan Sarandon to replace her previous lover played by David Bowie (that’s a tough act to follow). The film’s central themes are not erotic but it certainly incorporates erotic elements such as the protracted seduction of Sarandon’s character. 

36-Dracula (Gerald Butler)- Dracula 2000- This movie, though reeking of its late 90s style, executed an idea pretty effectively; Count Dracula is brought back to life in the year 2000. Every member of this cast was hip and attractive with a very young Gerald Butler as the Count. This may sound like strange casting but this was a much slimmer version of Gerald than the beefier version we’d all get to know and love in 300.

35-Elizabeth Bathroy (Julia Saly)-Night of the Werewolf- This Paul Naschy movie is basically a remake of an earlier Naschy film, Werewolf vs. The Vampire Woman (which appeared earlier on the list). In this version, Julia Saly is the vampiric Elizabeth Bathory, brought back to life with a satanic ritual. Saly appeared in several Spanish horror films of the era including Night of the Seagulls and Inquisition. She was hot in all of them.

34-Spike (James Marsters)- Buffy the Vampire Slayer- OK, this is supposed to be a list of characters from vampire movies, and Spike is from the TV show, but this character had so many fans, I would be remiss if I didn’t include him. In a show filled with hot young people, Spike stood out as a fan favorite.  He alternated between hero/ villain/ and love interest. He wasn’t the first vampire to be a main character on the show, that would be Angel. But whereas Angel wanted to be good, Spike wanted to be bad, and the bad boys always get more attention.

33-Dracula (Luke Evans)- Dracula Untold- This story about how Dracula became a vampire is as Hollywood as you can get, turning Drac into a sympathetic family man. Never the less, it has some great action, creative horror, and a well-designed suit of armor for The Lord Impaler. Luke Evans looks like a GQ model on his worst day, and clad it a suit of well crafted armor, he makes a sight to behold.

32-Alice (Linda Hayden)- Taste the Blood of Dracula- Linda is like Daryl Hannah in that they are both best when they are being bad. If you need proof, check her out as the leader of a cult of murderous children in Blood on Satan’s Claw.

Here Linda plays Alice, the long suffering virtuous daughter of a cynical, wealthy hedonist. All she wants is to have fun with her boyfriend which her father forbids (while he himself is visiting a brothel). All of this changes when Dracula sinks his teeth into her and the bad girl in her gets to come out and play. A great scene is where she and another vamp turn the tables and kill a vampire hunter with a stake through his heart!

31-Katrina (Grace Jones)- Vamp- Grace Jones has never been anyone’s idea of conventionally beautiful, but she’s always been sexy, with her sleek body, androgyny and exotic presentation. In Vamp, Grace is an ancient vampire working as the featured performer in a strange nightclub. If Vamp had been made in 70s or 90s it would be remembered as one of the cleverest vampire movies around. However, in a decade with Near Dark, Fright Night and Lost Boys, Vamp gets lost alongside its better known cousins.

30-Anne (Barbara Crampton)- Jakob’s Wife- It’s amazing, given the longevity of Barbara Crampton’s career (it started in 1985 with Re-Animator), that it took her this long for her to play a vampire. In this film she is the repressed (maybe oppressed?) wife of a tightly wound minister. After an attack from a nosferatu she finds herself having some distinctly unholy cravings for blood. A good blend of horror, humor, and character study and Barbara is as hot as ever.

29-Lilith (Angie Everheart)- Bordello of Blood- This film from the mid 90s feels more like a fun film from the early 80s with its generous helping of nudity and gore. It has a straight forward concept; Lilith ( the queen of all vampires) runs an underground brothel. The working girls who get jobs there are turned into vamps and the Johns who show up are their victims. It is a good blend of horror and comedy and Angie Everhart, who was a Sports Illustrated Swimsuit model, makes for a gorgeous, buxom creature of the night.

28-The Brides (Monica Bellucci, Michaela Bercu, Florina Kendrick) Bram Stoker’s Dracula- OK, it may be unfair to include them as this is three women, not one, but this is a special case. The Brides are an iconic part of the Dracula story but so often in Dracula movies they are under-represented or even left out!!! Even the vampire kings, Hammer studios, only had 1 Bride in their adaptation of the story.

                Here we get all 3 women and they get some serious screen time, appearing at the beginning and the end of film (like in the book) and they make a memorable impression. The tree women were unknowns at the time and little did anyone guess that one of them (Monica Bellucci) would become a big star and one of the sexiest women ever to grace a movie screen.

27-Sonja (Rhona Mitra)- Underworld 3- This movie is a prequel to the original underworld and depicts the start of the vampire/ werewolf war at its beginning in the Dark Ages. Rhona Mitra is the daughter of a vampire lord and she prefers to lead from the frontline despite her father’s wishes.

                Rhona has always been good at action parts (check her out in Doomsday and Beowulf) and she is very memorable decked out in black medieval armor, wielding a sword. The movie can be enjoyed as a prequel to part 1 or as a standalone film.

26-Sarah (Sharon Tate)- Fearless Vampire Killers- In this very well balanced horror/ comedy, Sharon Tate plays an inn keeper’s daughter that is kidnapped by the local aristocrat vampire and turned into a member of the undead.  The entire movie is beautiful to look at but Tate, a redhead here instead of her usual blonde, is particularly beautiful. This was her second horror film (check her out in the Eye of the Devil), and if she had had the chance, I think she would have become a scream queen icon.

25-Gina (Andrée Melly)- Brides of Dracula- The movie title is a bit misleading as it has neither Dracula nor his brides. But it does have a vampire and some sexy female victims who become vampires, so close enough.

                Andrée Melly plays a Gina, young woman living in an upper-class boarding house for women when she is turned into a member of the undead. To be such a sweet looking young woman, Andrée looked positively feral once she becomes a vampire.  She isn’t as well known as the Hammer starlets of the early 70s but the images of her as a vampire are some of the best that Hammer ever produced.

24-Fran (Marianne Morris) -Vampyres-After Vampire Lovers, this movie is usually one of the first films cited in any discussions of the “lesbian vampire” genre. Two young women, are murdered and return as vampires who lure victims into their English country home and then have their way with them.

                The 70s was the height of exploitation movies and this movie doesn’t shy away from sex and blood. Of particular note, the vampires don’t suck blood in the “traditional” way. They stab or cut their victims and lap up the blood straight from the wounds! Sex and death have always made for erotic bedfellows and Vampyres pushes the theme pretty far.

23-Carmilla /Mircalla (Yutte Stensgaard) - Lust for a Vampire- The middle film in the loosely connected Hammer Karnstein trilogy has a female vampire (Stensgaard) taking up residence at an all girl’s college.  She integrates with the student body with predictably bloody and sexy results. The opening shot of Yutte, rising bloody and half naked from her coffin, has become a permanent part of Hammer iconography.

22-Eric Northman (Alexander Skarsgard)- True Blood- OK, its another TV show, but it was pretty important to the genre, so I thought it deserved an entry. With a show that had so many hot actors as True Blood, multiple characters could have been on this list, but I opted for just one; Eric Northman, the sometimes ally, sometimes enemy of the show’s protagonist and one leg in the show’s ongoing love triangle.

                Eric Northman had so many fans that when Skarsgaard came out with his Viking epic The Northman, some fans assumed it was a True Blood prequel.

21-Frida (Madeleine Collinson)- Twins of Evil- This is such a brilliant concept it’s a marvel that it took 40 years of vampire movies before anyone did it!  Playboy Playmates Mary and Madeline Collinson play Maria and Frida, twin sisters who are put in the care of their cruel Puritan uncle (Peter Cushing). Frida and Maria have different dispositions. Maria is a polite, demure rule follower and Frida is a resentful rebel. Frida willingly gives herself over to a vampire and the stage is set for conflict. 

                The third film in Hammer’s Karnstein Trilogy, it was made during Hammer’s most experimental, and naughty, period. It’s a fan favorite and behind the scenes photos of the film’s twins are always a hit with Hammer fans.

20-Louie (Brad Pitt)- Interview with the Vampire-After Bram Stoker, no one had as big of an impact on the vampire genre as Anne Rice and this adaptation of her best-known work was a huge success, making a quarter of a billion dollars, which was a rarity in the 90s. Its also surprisingly faithful to the book (for a big budget Hollywood film).

                The film was laden with sexy faces but the main attraction was Brad Pitt as the eternally whiney but easy on the eyes Louie, the vampire protégé of Lestat (Tom Cruise).  Whether you’re a Brad Pitt fan or not, no one can deny the guy is good looking and his portrayal of this character turned a lot people into vampire fans.

19-Akasha  (Alliyah)- Queen of the Damned- A sort of sequel to Interview with the Vampire, this movie wasn’t as good, or as well received as its predecessor. It probably would have been forgotten if not for Aliyah, the popular R&B singer who was playing the film’s titular character. She died tragically between the end of the film’s production and its release.

                Aliyah certainly cuts a distinctive figure as an ancient vampire re-awakened. She is sexy, majestic, and scary. A generation later, images of her in this film still fill internet horror pages and fans who knew nothing of her, or really anything about Anne Rice, know this movie entirely because of her.

18-Marie (Anne Parillaud)- Innocent Blood-John Landis’s spiritual follow up to American Werewolf in London, this movie has to be the only horror-comedy-mobster movie out there.

                Anne Parillaud (best known from La Femme Nikita) is a vampire that preys on mobsters, which makes sense as they tend to die violently anyway, so covering up her antics isn’t too hard. Things go awry when she accidentally turns a mob boss into a vampire and shenanigans ensue. Anne is so sexy in this movie. She has the hungry grace of a jaguar and doesn’t shy away from showing skin. Watch this if you want to be turned on and belly laugh at the same time.

17-Countess Nadine (Soledad Miranda) -Vampyros Lesbos- It was Soledad’s role as vampire Lucy in Jess Franco’s Count Dracula (a movie that has largely been forgotten) that landed her the role as the lead in Vamyros Lesbos. This is maybe Franco’s best film and one that will not likely be forgotten.

                Her vampire is aloof, exotic, and a little sad in her loneliness. Soledad’s career was tragically cut short but she and Franco put together several movies in a short time and this one is her most memorable.

16-Aleera (Elena Anaya)- Van Helsing- Usually Dracula’s Bride are grouped together, mute and without individual personalities. Not so in 2004’s monster mash ,Van Helsing. Dracula’s Brides have distinct looks, personalities, and varying amounts of screen time. Aleera, the longest lasting of the Brides is super sexy and vicious. Her red hair and off pink dress present a vibrant, memorable image, very different from the way that the Brides are portrayed in most movies.

15-Dracula (Bela Lugosi)- Dracula (1931)-It might be a little difficult to convince a modern audience that Bela Lugosi was sexy but in 1931 he definitely was. As proof, remember this; the very reason that we consider Dracula a sexy character is because of Lugosi. Dracula, as described in Stoker’s novel is quite repulsive. He has pointed ears, hairy palms and bad breath!

                Lugosi created an image of Dracula as urbane, sophisticated and always in control. So convincing was Lugosi’s portrayal that every Dracula actor since then is expected to conjure up these traits.

14-Blade (Wesley Snipes)- Blade- OK so he’s only half vampire, but he’s twice as bad ass as many of his full blooded brethren.

                Based on the Marvel comic character of the same name, Wesley Snipe’s vampire hunting half-vampire carried a sword, drove a muscle car and killed vamps with martial arts. It became an instant classic and spawned a franchise. Snipes looked super cool with his black pleather outfits and a flat top so sharp you could cut yourself with it.

13-Regine (Julie Carmen)- Fright Night 2- Following up on a classic is never easy, but Fright Night 2 was one of those rare sequels that lives up to its predecessor. Julie Carmen plays Regine, a sexy ancient vampire who is the sister of the vampire (Chris Sarandon) from the first film and she wants revenge for his death. Regine was mysterious, sultry and predatory; the perfect vampire.

12-David ( Keifer Sutherland)- Lost Boys- With a cast filled with cool, young people, Keifer Sutherland’s David was a bad boy among bad boys. With his spiked mullet, beard stubble, and over coat he was pulling off a kind of cool that would make most people look silly.

                Whether Lost Boys was the best vampire film of the 80s is a matter of debate (Near Dark and Fright Night would be contenders) but it was without a doubt the most popular vampire movie of the decade. It was a minor cultural phenomenon and (along with the 2 Coreys) its blonde bad boy remains a fan favorite.

11-Dracula (Christopher Lee) - Horror of Dracula- Like Bela Lugosi, it might be a little hard for a modern audience to understand Christopher Lee’s sex appeal. Bela brought a chilling, almost clinical, calm to his character. Christopher Lee, on the other hand, gave the character an active vitality. His Count runs across the room, bursts through doors, and displays a powerful physical presence.

                In addition, Christopher Lee brought his voice, one of the great voices in all of film. Unfortunately, that was one trait that was largely ignored in the film’s many sequels as Dracula was almost mute. But in the first film, Horror of Dracula, we got the whole package.  This was Hammer’s first vampire film and ,along with Curse of Frankenstein, it laid the foundation for a minor film empire.

10- Lady Sylvia Marsh (Amanda Donahoe)-Lair of the White Worm- This film, loosely based on a novel by Bram Stoker, centers on a vampiric priestess in the English countryside. She masquerades as a beautiful aristocrat, but she also worships The White Worm, a kind of pagan god that lives beneath her estate.

                Many of Ken Russell’s films had a healthy dose of sexual perversity (see The Devils) and this film is no different. Donahoe is a vamp in both senses of the word. Of particular note is the alien, snake like appearance she takes on at times. While bizarre, it is undeniably sexy. She is a unique villain for a unique film.

9-Severein (Bill Paxton)- Near Dark- Bill Paxton is not a name that is usually associated with sexy. While his characters often become fan favorites, it was usually because of their sarcasm and wit. With this character, Paxton had the chance to play a real bad boy and he did it without reservation.

                Near Dark, along with Lost Boys, helped eschew the old vampire tropes of the previous decades and ushered in a new era of gritty, realistic vampires. Paxton’s vampire looks like a cowboy rocker and is played with the kind of over the top cool that the rest of us only dream of.

8-Dracula (Gary Oldman)- Bram Stoker’s Dracula-Francis Ford Coppolla’s stylish version of Dracula, which was the first big budget adaptation of the novel in over a decade , brought in a host of young, hot (and inexperienced) talent. Countering that were two veteran actors, Anthony Hopkins and Gary Oldman.

                Gary’s performance required him to change from decrepit old man, to furry beast to dapper gentleman and it is in that last role that he earned his place in the sexy vampire hall of fame. For six decades, every version of Dracula was just a different version of Bela Lugosi (black tux, black cape, swept back hair), but here was a visually distinct character that was instantly memorable. 30 years after the fact, some of the dialogue may seem a tad cheesy (“I’ve crossed oceans of time to be with you”), but in 1992, it made audiences melt.

7-Space Girl (Mathilda May)- Lifeforce- Based on the novel Space Vampires, this Tobe Hooper film is the story of a trio of vampires brought to Earth by doomed astronauts.  Mathilda May, as the queen of these vampires, is the ultimate succubus able to make men crumble. In a dose of nudity that you would never find in any mainstream movie today, she’s bare naked through much of the film.

                Lifeforce became a fan favorite and a cult classic for several reasons. It was directed by horror great Tobe Hooper and is one of the best movies by the now defunct Cannon films. But the centerpiece is Mathilda May’s otherworldly sexy vampire.

6-Selene (Kate Beckinsale)- Underworld- This film, which spawned a franchise, gave us a world taking place almost entirely in the shadows where werewolves and vampires are engaged in an endless war. Kate Beckinsale’s “Death Dealer” was sleek, sexy, armed to the teeth and ready for the club decked out in head to toe pleather.

                The film had its own aesthetic, which other films would try to copy, and Beckinsale’s character had an iconic look. Though she has since become identified with the character, prior to this role there was nothing in Beckingsale’s resume that suggested her as either a horror or an action star. So convincing was she, that the next year she followed this up with another action/ horror role as a vampire killer in Van Helsing.

5-Lucy Westerna (Sadie Frost)- Bram Stoker’s Dracula- Francis Ford Coppola’s version of the classic turned up the sexy with a cast of popular young 90s actor. Dracula, was sexy, Mina was sexy, the Brides were sexy but Sadie Frost stole all of her scenes with the sexiest Lucy ever to appear on screen.

                Though an important character in the novel, in the movies Lucy is often disposable, someone for Dracula to kill before he sets his sights on Mina. Sadie’s Lucy is sexy before she becomes a vampire but her transition turned her into a perfect image of Gothic loveliness thanks in part to a truly unique wedding dress costume and make up that gave her a cold porcelain look. In a movie that was filled with highly memorable imagery, Sadie Frost’s vampire is iconic.

4-Satanico Pandemonium (Salma Hayak)- From Dusk till Dawn- Selma Hayak would not normally be considered a scream queen and Robert Rodruigez is not the first name that comes to mind when you think of horror, but with her performance, Hayak created a character that lives on as a fan favorite, a quarter of a century later.

                Santanico Pandemonium (not to be confused with the nunploitation movie for which she was named) was exotic and mysterious and Hayak just dripped sexy. She wasn’t even in the film that long, but the images of her are forever burned into the collective consciousness of horror fans.

3-Dracula(Frank Langela) – Dracula (1979)- Bela Lugosi brought urbane sophistication to the Count and Christopher Lee gave the character an active vitality. With Frank Langella, the film makers made the count an explicitly romantic character. The movie was even marketed as a love story.

                With his wavy hair and shirt open half way down his chest, Langella looks like a character on the cover of a romance novel and his baritone voice helps sell the image. This particular version of Dracula is not one of the better known versions but it certainly foreshadowed the sexier versions of the count that would appear later.

2-Carmilla Karnstein ( Ingrid Pitt)- Vampire Lovers- Lesbian vampires. It seems like a sure fire concept but the trope remained remarkably unmined for the first 40 years of vampire cinema. Gloria Holden gave cinema its first lesbian vampire in Dracula’s Daughter but there was no sex and the sexuality was implied.

                Not so with Vampire Lovers. Hammer films, influenced by the sexual revolution, ramped up the eroticism around 1970 and Vampire Lovers was a perfect example of this. Ingrid Pitt plays Carmilla Karnstein, a vampire who has set her sights on a young debutante (Madeline Smith).  While the sex was definitely not implied, Ingrid Pitt brings more to the role than just beauty. She sells the character which is a combination of lonely outsider and cold predator.

                If you wanted to stretch the definition of vampire just a tad, Ingrid could have appeared on the list twice. The year after Hammer made Vampire Lovers they teamed up with Ingrid again to make Countess Dracula, Hammer’s version of the Elizabeth Bathory legend, with Ingrid as the blood bathing noblewoman. Whether it’s a vampire movie or not is up to you, but it’s a beautiful costume drama (with some hot naked Ingrid) and worth your time to find it.

1-Jerry Dandridge (Chris Sarandon)- Fright Night- For 50 years vampire movies lived in the shadow of Bela Lugosi. The 1980s allowed the genre to change direction with a collection of vampires that were gritty, realistic and visually distinct from their Hungarian grandfather. While the vampires of the 80s were very cool, what most of them lacked was that sophisticated charm that Lugosi brought; the very thing that made Dracula a sexy character in the first place.

                Chris Sarandon’s Jerry Dandridge had the complete package. He was a modern vampire without any of the cliché that had hung over the genre while bringing the refined appeal of a Bond villain. Also, while not a sympathetic character, his vampire was charismatic and cool enough that you couldn’t help but like him, even while he was trying to murder a group of teenagers.

Still want more? Find out which adaptation of Dracula is the best!